{"id":86,"date":"2026-05-11T21:54:49","date_gmt":"2026-05-11T19:54:49","guid":{"rendered":"https:\/\/watuqrimanka.org\/en\/?page_id=86"},"modified":"2026-06-01T14:18:42","modified_gmt":"2026-06-01T18:18:42","slug":"description-and-objective","status":"publish","type":"page","link":"https:\/\/www.watuqrimanka.org\/en\/awat\/description-and-objective\/","title":{"rendered":"Description"},"content":{"rendered":"\n

WatuqRimanka<\/strong> is a book featuring extensive and reflective text that combines a personal narrative, the ancestral Andean worldview and \u201cgeometry,\u201d and a \u201cmathematical\u201d and \u201cgeometric\u201d critique of the pillars that \u201csustain\u201d modern human society, as it is a parasitic form of \u201clife\u201d (Para-Sith-os), which cannot sustain itself and lacks the wisdom to do so, but rather feeds on and consumes other forms of \u201clife\u201d in order to survive. This book is based on the solution to certain mathematical problems of the past, such as the \u201csquaring of the circle,\u201d among many other contrivances and supposed mysteries.<\/p>\n\n\n\n

My personal experience was similar to having \u201cwoken up from a coma,\u201d which allowed me to perceive and observe that humanity \u201clives\u201d enclosed within a \u201cgeometric matrix\u201d imposed by invasive patriarchal forces (ET). For this reason, I have always felt that my consciousness was not part of, nor was it found within, the \u201cnormal world or the altered human world,\u201d so over time I learned how to break free from that illusion that governs the structures of modern society and its patriarchal or fatricidal energy.<\/p>\n\n\n\n

My roots lie partly in the Andes Mountains\u2014not from recent times, but from times no one remembers, times long past\u2014which is why my identity is linked to the \u201cAncient Andean Culture\u201d and other cultures of the past, as well as to the memories of the \u201cEarth\u201d and to Mama Pacha.<\/p>\n\n\n\n

Etymology of Willakuy and WatuqRimanka: Willakuy = confession, news, story; Watuq = the seer who reads the Kuka; Rimanka = word\/speech, a combination of words that could be read as: \u201cthe seer\u2019s words\u201d or \u201cthe seer is going to speak.\u201d<\/p>\n\n\n\n

It is very difficult to try to explain in just a few lines what or who MamaPacha is. MamaPacha is one of the consciousnesses associated with what is commonly called \u201cMother Earth.\u201d She is described as \u201cMother Earth,\u201d as the source of ancestral wisdom, whose memories persist in \u201cnature,\u201d in plants, in animals, in stones, and in certain sacred sites, and she is the caretaker and protector of all forms of \u201clife.\u201d<\/p>\n\n\n\n

In this \u201cWillakuy,\u201d I try to show how the Andean Cosmovision and the concepts of MamaPacha, the Pachakamaykunas Forces, and complementary geometry in motion represent the true rock (Qaqa) or \u201cfoundation\u201d of culture\u2014knowledge that predates the foreign construction of reality.<\/p>\n\n\n\n

I speak and demonstrate extensively about the \u201cPachakamaykuna Forces,\u201d which represent the \u201ccosmic principles,\u201d the spiral-forming movements, the numerical sequences that form the terraces, the \u201cgeometry,\u201d numbers, measurements, and proportions, and what the parts of the body, authority, \u201clife,\u201d the rules of space, and \u201clife\u201d represent\u2014all of which form a collective of creative consciousnesses.<\/p>\n\n\n\n

I use some Quechua-Aymara terms (e.g., Qhychwa, Aimara, Ceques) and try to explain, within my limitations, their symbolic meanings, noting that ancient co<\/strong>mmunication is connected to original geometry, sound, and the environment.<\/p>\n\n\n\n

Criticizing the pillars upon which modern human civilization rests, I demonstrate and assert \u201cmathematically\u201d and \u201cgeometrically\u201d that science, law, religion, and technology are encoded with specific numbers and \u201cgeometries\u201d that imprison people\u2019s consciousness, suppressing natural feminine energy.<\/p>\n\n\n\n

Politically and socially, I maintain that colonial\/foreign narratives rewrite and have rewritten history, relegating indigenous knowledge to \u201cmyths,\u201d and that the powers that be manipulate reality in ways that current human ignorance cannot perceive.<\/p>\n\n\n\n

Path (\u201ckaminu\u201d): I follow spiritual \u201ckaminus\u201d that no one else follows, that no one knows, and that very few would dare to walk\u2014paths that require abandoning human identity, childhood, desires, and judgments in order to reconnect with the primal forces of the ancients.<\/p>\n\n\n\n

This \u201cWillakuy\u201d or book invites you to open your \u201ceyes\u201d (the \u201ceights\u201d) to learn to recognize the false matrix and restore the balance between the masculine and the feminine, between \u201cearth\u201d and \u201csky,\u201d through the teachings of the ancients. The path of \u201cremembering\u201d comes from finding the relationship or diagonal \u221a10, which is the diagonal or connector that links and relates light to shadow\u2014the one that allows you, over time, to recover your identity, your shadow, and access to your memories and the memories of the ancients and of this MamaPacha.<\/p>\n\n\n\n

This \u201cWillakuy\u201d is a personal work intended for those who feel and observe, and for those who are attuned to ancient consciousness; to the rest of you, I warn you: many of you may feel very, very uncomfortable with the content expressed in its words and with its message.<\/p>\n\n\n\n

Who would have thought that in these times of supposed \u201cfreedom\u201d of thought, where a false sense of security in beliefs, fervor, and the inferences of ignorance exists and reigns, is where the most intolerance exists.<\/p>\n\n\n\n

Objective<\/h2>\n\n\n\n

What It Seeks<\/strong><\/p>\n\n\n\n

    \n
  • To recover, compile, and present fragments of the ancient geometric and mathematical knowledge of Andean cultures.<\/li>\n\n\n\n
  • To demonstrate how this ancient knowledge relates to natural forces or the \u201cPachakamaykunas.\u201d<\/li>\n\n\n\n
  • To raise awareness of the loss of cultural memory caused by colonial imposition and the structures of modern human civilization, as well as to recognize how far removed our current way of life is from the forms and movements of ancient cultures, \u201cnature,\u201d and Mama Pacha.<\/li>\n<\/ul>\n\n\n\n

    What it offers<\/strong><\/strong><\/p>\n\n\n\n

      \n
    • It brings to light the solutions to some of the earliest mathematical problems from antiquity that were solved by our ancestors millennia ago, because these have ceased to exist in the \u201clives\u201d of modern humans.<\/li>\n\n\n\n
    • It explores and illustrates some of the concepts related to the movements associated with the \u201cChakana\u201d and the interaction with the \u201cPachakamaykuna Forces.\u201d<\/li>\n\n\n\n
    • It demonstrates how the process of conquest and the imposition of modern civilization has had profound effects on the collective memory, which has altered the perception of \u201creality\u201d in everyday \u201clife.\u201d<\/li>\n<\/ul>\n\n\n\n

      Key Concepts<\/strong><\/p>\n\n\n\n

        \n
      • The \u201cPachakamaykuna Forces\u201d are the \u201cnatural\u201d or \u201ccreative\u201d forces that generate spiral movements and patterns, as well as numerical progressions and sequences, which manifest in the rhythms that give rise to \u201clife\u201d (ayti kuynin). There is an intimate relationship between these movements, our mind, our body, our psyche, our identity, and the memories of time.<\/li>\n\n\n\n
      • The \u201cgeometric\u201d knowledge of the ancients would have used an initial reference value of \u221a10 (\u2248 3.1622), a value that was altered and replaced by the modern constant pi, so the modern geometry would have contributed to the loss of cultural memory, generating an imbalance between the forces of light and shadow, between the forces of heaven and earth, or between the forces of man and woman, which, instead of supporting one another \u201cnaturally\u201d in this form of \u201clife,\u201d find themselves in an eternal struggle and perpetual conflict.<\/li>\n<\/ul>\n\n\n\n

        The Quadratures<\/strong><\/p>\n\n\n\n

          \n
        • The historical and symbolic significance of the quadrature of the circumference and the squaring of the circle as \u201cgeometric\u201d procedures for equating the perimeter and area of \u201cgeometric\u201d figures stems from the initial movements of the \u201cPachakamaykuna Forces,\u201d whose geometric projections and reflections allow us to equate the circumference of a circle with that of a quadrilateral and the area of a circle with that of a square.<\/li>\n\n\n\n
        • Beyond numbers and \u201cgeometry,\u201d the \u201cSquaring of the Circumference\u201d and the \u201cSquaring of the Circle\u201d are processes through which the forces or polarities of the masculine combine with the feminine forces and polarities, back and forth, allowing us to become aware of the forces necessary to sustain and care for \u201clife.\u201d It is this knowledge that will enable us to begin restoring the lost balances.<\/li>\n<\/ul>\n\n\n\n

          Analysis<\/strong><\/p>\n\n\n\n

            \n
          • The analysis conducted is multidimensional; in other words, it is a world that humnas may never fully comprehend. Among many topics, it focuses on Andean architecture and the Andean \u201cworldview,\u201d whose vocabulary and concepts include, for example, (willakuy, watuq, paqarina, Mama Pacha), linking local concepts with geometric ones such as: yanantin\/tawantin as processes of complementarity; tawa\/tawa chakana as structures that catalyze movement; and \u201csquaring\u201d (squaring the circumference \/ squaring the circle) as operations that reveal relationships between perimeter and area.<\/li>\n\n\n\n
          • Andean cultures used their own mathematical and geometric systems, rooted in their origins and distinct from modern geometry, and these differences influence how the world is \u201cexperienced,\u201d constructed, and remembered.<\/li>\n\n\n\n
          • This Willakuy illustrates an epistemological difference between the ancient proportions associated with \u221a10 (3.1622) and the modern geometry of pi (3.1415\u2026). This ancient knowledge or wisdom yields proportions, measurements, and geometric results distinct from those derived from the modern constant pi.<\/li>\n\n\n\n
          • A reference value other than \u221a10 generates a geometry centered on the triad (the number three) that predominates in modernity, to the detriment of other proportional relationships (for example, those linked to the number four, to refractions, to reflections, and to the complementarity of \u201copposites\u201d that generate movement<\/li>\n<\/ul>\n\n\n\n

            Sacred geometry and \u201cgeometric\u201d modernity<\/strong><\/p>\n\n\n\n