Description

WatuqRimanka is a book featuring extensive and reflective text that combines a personal narrative, the ancestral Andean worldview and “geometry,” and a “mathematical” and “geometric” critique of the pillars that “sustain” modern human society, as it is a parasitic form of “life” (Para-Sith-os), which cannot sustain itself and lacks the wisdom to do so, but rather feeds on and consumes other forms of “life” in order to survive. This book is based on the solution to certain mathematical problems of the past, such as the “squaring of the circle,” among many other contrivances and supposed mysteries.

My personal experience was similar to having “woken up from a coma,” which allowed me to perceive and observe that humanity “lives” enclosed within a “geometric matrix” imposed by invasive patriarchal forces (ET). For this reason, I have always felt that my consciousness was not part of, nor was it found within, the “normal world or the altered human world,” so over time I learned how to break free from that illusion that governs the structures of modern society and its patriarchal or fatricidal energy.

My roots lie partly in the Andes Mountains—not from recent times, but from times no one remembers, times long past—which is why my identity is linked to the “Ancient Andean Culture” and other cultures of the past, as well as to the memories of the “Earth” and to Mama Pacha.

Etymology of Willakuy and WatuqRimanka: Willakuy = confession, news, story; Watuq = the seer who reads the Kuka; Rimanka = word/speech, a combination of words that could be read as: “the seer’s words” or “the seer is going to speak.”

It is very difficult to try to explain in just a few lines what or who MamaPacha is. MamaPacha is one of the consciousnesses associated with what is commonly called “Mother Earth.” She is described as “Mother Earth,” as the source of ancestral wisdom, whose memories persist in “nature,” in plants, in animals, in stones, and in certain sacred sites, and she is the caretaker and protector of all forms of “life.”

In this “Willakuy,” I try to show how the Andean Cosmovision and the concepts of MamaPacha, the Pachakamaykunas Forces, and complementary geometry in motion represent the true rock (Qaqa) or “foundation” of culture—knowledge that predates the foreign construction of reality.

I speak and demonstrate extensively about the “Pachakamaykuna Forces,” which represent the “cosmic principles,” the spiral-forming movements, the numerical sequences that form the terraces, the “geometry,” numbers, measurements, and proportions, and what the parts of the body, authority, “life,” the rules of space, and “life” represent—all of which form a collective of creative consciousnesses.

I use some Quechua-Aymara terms (e.g., Qhychwa, Aimara, Ceques) and try to explain, within my limitations, their symbolic meanings, noting that ancient communication is connected to original geometry, sound, and the environment.

Criticizing the pillars upon which modern human civilization rests, I demonstrate and assert “mathematically” and “geometrically” that science, law, religion, and technology are encoded with specific numbers and “geometries” that imprison people’s consciousness, suppressing natural feminine energy.

Politically and socially, I maintain that colonial/foreign narratives rewrite and have rewritten history, relegating indigenous knowledge to “myths,” and that the powers that be manipulate reality in ways that current human ignorance cannot perceive.

Path (“kaminu”): I follow spiritual “kaminus” that no one else follows, that no one knows, and that very few would dare to walk—paths that require abandoning human identity, childhood, desires, and judgments in order to reconnect with the primal forces of the ancients.

This “Willakuy” or book invites you to open your “eyes” (the “eights”) to learn to recognize the false matrix and restore the balance between the masculine and the feminine, between “earth” and “sky,” through the teachings of the ancients. The path of “remembering” comes from finding the relationship or diagonal √10, which is the diagonal or connector that links and relates light to shadow—the one that allows you, over time, to recover your identity, your shadow, and access to your memories and the memories of the ancients and of this MamaPacha.

This “Willakuy” is a personal work intended for those who feel and observe, and for those who are attuned to ancient consciousness; to the rest of you, I warn you: many of you may feel very, very uncomfortable with the content expressed in its words and with its message.

Who would have thought that in these times of supposed “freedom” of thought, where a false sense of security in beliefs, fervor, and the inferences of ignorance exists and reigns, is where the most intolerance exists.

Objective

What It Seeks

• To recover, compile, and present fragments of the ancient geometric and mathematical knowledge of Andean cultures.
• To demonstrate how this ancient knowledge relates to natural forces or the “Pachakamaykunas.”
• To raise awareness of the loss of cultural memory caused by colonial imposition and the structures of modern human civilization, as well as to recognize how far removed our current way of life is from the forms and movements of ancient cultures, “nature,” and Mama Pacha.

What it offers

• It brings to light the solutions to some of the earliest mathematical problems from antiquity that were solved by our ancestors millennia ago, because these have ceased to exist in the “lives” of modern humans.
• It explores and illustrates some of the concepts related to the movements associated with the “Chakana” and the interaction with the “Pachakamaykuna Forces.”
• It demonstrates how the process of conquest and the imposition of modern civilization has had profound effects on the collective memory, which has altered the perception of “reality” in everyday “life.”

Key Concepts

• The “Pachakamaykuna Forces” are the “natural” or “creative” forces that generate spiral movements and patterns, as well as numerical progressions and sequences, which manifest in the rhythms that give rise to “life” (ayti kuynin). There is an intimate relationship between these movements, our mind, our body, our psyche, our identity, and the memories of time.
• The “geometric” knowledge of the ancients would have used an initial reference value of √10 (≈ 3.1622), a value that was altered and replaced by the modern constant pi, so the modern geometry would have contributed to the loss of cultural memory, generating an imbalance between the forces of light and shadow, between the forces of heaven and earth, or between the forces of man and woman, which, instead of supporting one another “naturally” in this form of “life,” find themselves in an eternal struggle and perpetual conflict.

The Quadratures

• The historical and symbolic significance of the quadrature of the circumference and the squaring of the circle as “geometric” procedures for equating the perimeter and area of “geometric” figures stems from the initial movements of the “Pachakamaykuna Forces,” whose geometric projections and reflections allow us to equate the circumference of a circle with that of a quadrilateral and the area of a circle with that of a square.
• Beyond numbers and “geometry,” the “Squaring of the Circumference” and the “Squaring of the Circle” are processes through which the forces or polarities of the masculine combine with the feminine forces and polarities, back and forth, allowing us to become aware of the forces necessary to sustain and care for “life.” It is this knowledge that will enable us to begin restoring the lost balances.

Analysis

• The analysis conducted is multidimensional; in other words, it is a world that humnas may never fully comprehend. Among many topics, it focuses on Andean architecture and the Andean “worldview,” whose vocabulary and concepts include, for example, (willakuy, watuq, paqarina, Mama Pacha), linking local concepts with geometric ones such as: yanantin/tawantin as processes of complementarity; tawa/tawa chakana as structures that catalyze movement; and “squaring” (squaring the circumference / squaring the circle) as operations that reveal relationships between perimeter and area.
• Andean cultures used their own mathematical and geometric systems, rooted in their origins and distinct from modern geometry, and these differences influence how the world is “experienced,” constructed, and remembered.
• This Willakuy illustrates an epistemological difference between the ancient proportions associated with √10 (3.1622) and the modern geometry of pi (3.1415…). This ancient knowledge or wisdom yields proportions, measurements, and geometric results distinct from those derived from the modern constant pi.
• A reference value other than √10 generates a geometry centered on the triad (the number three) that predominates in modernity, to the detriment of other proportional relationships (for example, those linked to the number four, to refractions, to reflections, and to the complementarity of “opposites” that generate movement

Sacred geometry and “geometric” modernity

• The imposition of a “geometry” centered on the constant pi (3.1415…) and on a “patriarchal” projection of light contributed to the loss of other ways of measuring, understanding, and experiencing the relationship between light and shadow or between men and women.
• The “geometry” projected by modernity responds to a patriarchal and monochromatic logic (altered light) that omits shadow and complementarities; this projection would have contributed to the loss of cultural memory and the emergence of social and psychological pathologies associated with the continuous void generated by the “geometry” of the “Black Hole.”
• “Geometric” modernity would have produced an internal disharmony (accumulated shadow, “black hole”) whose imbalance affects and alters identities, as well as generating personal and collective dissatisfactions in a continuous and permanent manner (vacuum continuum).
• The imposition of a normative “geometry” suppresses other “metric” practices and epistemologies, preventing the recovery, growth, and development of ancestral knowledge.

Pi, Geometry, and Way of Life

• Modern “geometry” is a “monochromatic,” binary, and patriarchal projection of light, which has diminished the richness of other ways of measuring and inhabiting the world, leading to a loss of memory and social and personal imbalances.
• The “black hole” is “real,” describing how the accumulation of inner shadows (what has been repressed or kept inside) ends up consuming well-being and the sense of “life,” so that people want more and more and more and are never satisfied. As in Mick Jagger’s song by the Rolling Stones (geometry, stone, rolling song)—“I Can’t Get No Satisfaction”—which is a clear sign of the symptoms of an illness, the foreign illness of emptiness.

How to Remember

• Recovering ancient codes involves restoring the complementarity between the polarities of man and woman—or between light and shadow—and relearning certain practices and measures that allow for the reintegration of cultural memory, in order to reconstruct spatial, temporal, material, and energetic memories and relationships with Mama Pacha—that is, with our Mother.
• Restoring complementarity (integrating the masculine and the feminine, light and shadow) is central to individual and collective healing, serving as a starting point for relearning ancient practices that integrate both initial polarities, which, over time, will allow them to recover ancestral knowledge. This will prepare them to transition into a new era or cycle (pachakutiq), as a prerequisite for cultural reintegration.

What does this remind us of?

• It offers a brief overview of mathematics and architecture from other perspectives—older and predating those of their official history.
• How the ancients learned to observe the movement of the “Pachakamaykunas Forces” and how they manifested and applied that knowledge and movement to daily “life,” which allowed them to create cultural structures that still leave everyone “speechless” to this day.
• How this set of movements influences the way we think, feel, and observe.
• That there is and was another way of “living,” not alienated, another way of thinking, another way of feeling, another way of observing, another way of believing, another way of knowing, another way of understanding; for this reason, cultural recovery is not merely nostalgia, but rather a path to restoring inner balance and rebuilding relationships with the “natural” environment, as well as with the beings and consciousnesses that coexist within this Mama Pacha.

Traveler, there is a path, you just have to remember!
Returning to your roots so you can remember who you are and where you come from is one of the few paths left to escape this madness and prepare for what is to come.

What “WatuqRimanka” Is About

This “Willakuy,” or book, is a “mathematical,” “geometric,” spiritual, poetic, and descriptive treatise on the knowledge and paths traversed by a seeker—a seeker of truths—who decided to follow his instincts, or what he felt and “lived” within himself.

In short, it is an exposition of ancient forms and movements, combining knowledge, mythology, multidimensional connections, and personal revelation—which led me to reject modern “manufactured and imposed reality” in order to remember and reconnect with the roots and millennia-old wisdom of Andean culture and other ancient cultures.